A living wall inside Shanklin Hall — rotating exhibitions featuring the local artists who are shaping the District. Discover something new every time you walk in.
"A visual salute to the culture and community of Washington, D.C."
Inspired by Langston Hughes's poem My People, this exhibition honors the beauty, bouncebackability and pulse of the city. These are not just photographs — they're memories, handshakes, front-porch conversations, laughter vibrating down block-long summers, and the spiritual nod of being seen and known.
Dee Dwyer is an award-winning Photographer, Cultural Curator, Director, Community Connector and Educator from Southeast, Washington, D.C., whose work is grounded in long-term engagement. Her photographs — often shown in black and white — are marked by closeness and trust, shaped by relationships built over time rather than fleeting access. Dwyer's practice resists narrative simplification: instead, it allows space for complexity, interiority and self-definition.
Dwyer's work has been supported and exhibited by The Phillips Collection, The National Building Museum, PhotoSCHWEIZ, Catchlight, Reginald F. Lewis Museum, The MLK Library, Photoville and more. In 2024, she was the subject of a documentary released by the National Gallery of Art, positioning her practice in dialogue with the social documentary legacy of Dorothea Lange. Her work has appeared in ESSENCE, EBONY, Vogue, Harper's Bazaar, Rolling Stone, National Geographic, The New York Times, The Washington Post, and NPR, among others.
A visual salute to the culture and community of Washington, D.C. All works available for sale — contact us for pricing and availability.
A short archive of exhibitions at Shanklin Hall. All past works may be available — contact info@shanklinhall.com for availability and pricing.
A striking visual collection exploring the many hats Black folks wear figuratively — honoring the resilience, beauty, and fluidity of how we move through different roles and spaces.
A striking collection of portraits and editorials that embody rebirth, healing, and new beginnings — inviting you to see beauty in the moments of change, where strength and softness meet.
Vibrant, pattern-rich works exploring the intersections of identity, memory, and self-making — celebrating the complexity of Black womanhood and the multiplicity of experiences within the African diaspora.
An exclusive conversation with No Cap! photographers Greg Alexander and Timothy Smith, alongside reflections from Shanklin Hall co-founder Imani Shanklin Roberts — on the vision, collaboration, and creative process behind the exhibition.
Greg Alexander & Timothy Smith · 1866 Collaboration
with Imani Shanklin Roberts, Shanklin Hall